The 2020 Results
of the
International
Collegiate Singing ChampionshipTM
brought to you by
American Vocal Arts.
ICSC emphasizes
competitive collegiate singing that spans across borders. We seek to award the
best singers from around the world who are currently enrolled in or a recent
graduated of an undergraduate or graduate program in voice. The winners were
selected based on talent, potential, and overall presentation. All voice types
were judged equally. All performances and adjudication was done via a simple
online process.
2020
International Collegiate Singing Championship Winners
First Place
At the age of 19,
mezzo-soprano Kathie Kane sang her first lead operatic role as
Nate in the premiere of The Fox and the Pomegranate. Since then, Kathie has
performed in operas of many styles, from composers such as Francesca Caccini to
Ricky Ian Gordon. She has had the thrill of performing such a wide variety of
music all over the world, having recently been a young artist at Si parla, si
canta. Recently, Kathie won Second Prize in the Barry Alexander International
Vocal Competition and gave her Verdi Requiem Debut as the Mezzo-Soprano Soloist
in Rochester, NY. Kathie holds a Bachelor and Master of Music degree from the
Crane School of Music and the Eastman School of Music, respectively, and is
currently based in Western New York. This summer, she will be a Resident
Professional Artist at the Ohio Light Opera.
Judges Comments:
Very relaxed, tension free
instrument which creates a really focused and beautiful mezzo sound.
Lovely voice, polished presentation
Fantastic tone; rich and full, yet also bright,
easy, and energized.
The flexibility and warmth of the voice was
largely evident in the performance.
Second Place
Brazilian-American soprano Sophia Hunt is
currently beginning her master’s degree at the Curtis Institute of Music, where
she holds the Hirsig Family Fellowship and studies with Vinson Cole. She
recently made her Opera Philadelphia debut, singing in the Curtis in Concert
recital series as part of Festival O19. Sophia’s upcoming engagements include
singing as Contessa Almaviva in an excerpt of Le nozze di Figaro with the
Curtis Symphony Orchestra under the baton of Maestro Yannick Nézet-Séguin, as
well as a performance of Knoxville: Summer of 1915 with the Main Line Symphony
Orchestra.
This summer, Sophia returned to the Aspen
Music Festival, where she sang Mrs. Anderssen in A Little Night Music and
covered Contessa Almaviva in Le nozze di Figaro. Last season, Sophia sang Donna
Elvira in Don Giovanni and Faith in Rene Orth’s Empty the House with the Curtis
Opera Theatre, as well as performing with Curtis on Tour in the Nights of
Classical Music at the Gennadius Library in Athens, Greece. She is also a
frequent performer in the Curtis Student Recital Series.
Sophia has participated in the Joyce
DiDonato master classes at Carnegie Hall, Houston Grand Opera’s Young Artists
Vocal Academy, SongFest, and the Westchester Summer Vocal Institute. She was
recently a finalist in the New York International Vocal Competition, as well as
a recipient of a Shirley Rabb Winston Voice Scholarship.
Sophia grew up in New York City, where she
attended LaGuardia High School. She holds a bachelor’s degree from the Curtis
Institute of Music.
Judges Comments:
Very clean, rich, and lush sound.
Lovely, full voice
Great acting; the dramatic and dynamic contrasts are spot on.
Displays thorough understanding and communication of the text and fully communicates its meaning.
Third Place
Soprano Alexia
Mate is currently completing her Master of Music degree in Voice at The New School – Mannes School of Music where she studies with Beth Roberts. This year,
Alexia was the recipient of a Grant Award from the 2019 Gerda Lissner
Song/Lieder Competition. She was also named a finalist in the 2020 National
Opera Association’s Carolyn Bailey and Dominic Argento Competition and national
semi-finalist in the 2019 Camille Coloratura Awards Competition. She is
currently on the 2019-2020 artist roster for Opera on Tap NYC. Coming up, she
will sing the role of Suor Dolcina in Suor Angelica with the Mannes
Opera, and will spend the summer as a Professional Fellow with SongFest.
Alexia received
her Bachelor of Fine Arts degree from Carnegie Mellon University where she was
featured as Queen of the Night in Die Zauberflöte, Jenny Slade in Roman
Fever, Adele (cover) in Die Fledermaus, Cunegonde in Candide
scene selections, and the soprano soloist in the Fauré Requiem with the
Carnegie Mellon University choir. She also premiered the role Idealized Martha
in a newly composed opera called Trapped in a Mind with a Friend of Mine
by Andrew Dewey. In 2018, she performed the role of Amy in Little Women
with the Hawaii Performing Arts Festival. In addition, she has been a Studio
Artist with the Redwoods Opera Workshop, the Savannah Voice Experience Festival,
and IVAI. In 2015, Alexia was featured as the soprano soloist in Beethoven’s 9th
Symphony with the Clinton Symphony Orchestra under the baton of maestro Charles
Schneider.
Alexia received
the Derdeyn Award in Voice in 2017 from Carnegie Mellon University. She has
also been a recipient of the Jacobs School of Music Premier Young Artist Award
from Indiana University’s Jacobs School of Music and the Robert E. McGuire
Music Award from the Veterans of Foreign Wars with a resolution from the New
York Senate.
In addition to
opera, Alexia is very passionate about the violin and has been a classical
violinist for 19 years. She has performed as a soloist and concertmaster of
various chamber and symphony orchestras.
Judges Comments:
Exciting, nicely aligned coloratura instrument
with engaged and energized character choices!
Lovely voice, interesting timbre, connected and
flexible.
Beautiful singing. Stunning
coloratura. Excellent French.
Resonance is complete and ringing with balanced
chiaroscuro throughout.
Finalists in the competition were:
Kerby Baier, soprano
Chelsey Geeting, soprano
The 2020 ICSC Judges:
Dr. Nicholas Larson, Oregon State University
Prof. Marc Embree, Michigan State University
Dr. Christi McLain, Coker University
Dr. Alexis Davis-Hazell, University of Alabama